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Where earlier databases focused on registering and managing objects, the new approach seeks to capture their different meanings and relationships while making relevant materials easier to find. Images, 3D data, videos, and related literature previously scattered across separate records are being connected. Metadata describing file sizes, formats, and how the data was created are also being expanded to support reuse so linking different names for the same artifact makes searching easier, for instance.

“Cultural heritage can’t be standardized like manufactured goods,” Choi says. “We need to organize and structure the data and materials we’ve accumulated in ways that reflect the character of our artifacts, while at the same time, identify connections between them. Once that foundation is in place, curators and external users like content creators, researchers, and educators will be able to find and use materials suited to their needs.”

Leaving room for discovery

After nearly two decades spent researching artifacts and developing exhibitions, Choi didn’t expect to find herself working in the DMD. Now director of the Jeju National Museum, she looks back on her digital work where there were many times her previous experience alone couldn’t guide her decisions. Exhibitions have clear opening and closing dates, and experience helps curators judge what further research and preparation will improve outcomes.